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Richard III (enotes.com) |
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Act 1 |
Act 2 |
Act 3 |
Act 4 |
Act 5 |
| Act 1 Scene i: The play opens
in an unidentified street of London around the year 1480. Richard of
Gloucester, the chief protagonist of the play is the brother of King Edward
IV and of George, the Duke of Clarence, most often called "Clarence" in the
play. Alone on stage, the figure of Richard, misshapen with a hunchback from
his premature birth, first tells us that the recent civil wars between the
houses of Lancaster and York are now over, that Richard's side (York) is
victorious, but that he himself is discontent. Being "ill-formed" by nature,
Richard is not suited to peaceful times when romance holds sway. That being
so, he is "determined to prove a villain." He has laid a plot against his
own brother, Clarence, inciting his other brother (the recently crowned King
Edward) to arrest the innocent Clarence, by pouring "drunken prophecies,
libels, and dreams" into the King's ear. After this extensive opening
soliloquy is done, Clarence appears in the custody of the king's guards,
headed for the prison Tower of London. Richard pretends to sympathize with
Clarence, blaming King Edward's wife (Queen Elizabeth born the Lady Grey)
for Clarence's plight. Clarence is led away, and the recently jailed Lord
Hastings, arrives with news that the new King is gravely ill. When he
departs, Richard has another opportunity to disclose his plans for his
brother, saying that he will engineer Clarence execution because his brother
is an obstacle to his own regal ambitions. Incredibly, he also reveals that
he plans to marry the Lady Anne, whose husband (Edward, Prince of Wales) he
helped to murder at the end of Henry VI: Part III.

Scene ii: In another London street, we see the Lady Anne attending
the funeral of Henry VI, her former father-in-law, a fallen monarch whom
Richard of Gloucester also had a hand in killing. Richard then enters, and
though he denies any involvement in the deaths of her husband and her
father-in-law, Lady Anne calls him a "black magician" and a "hedgehog." For
his part, Richard speaks of his desire to visit Lady Anne's bedchamber and
eventually marry the woman he has made into a widow. At this perverse
suggestion, she spits in his face while calling him a "foul toad." Claiming
that any involvement in the murder of Anne's husband was motivated by his
love for her beauty, Richard hands Lady Anne a dagger and opens his breast
to its point. Anne refuses to be his executioner, and when Richard assumes a
penitent stance, she agrees to accept a ring from him. After Lady Anne
exits, Richard exalts in his own powers, asking the rhetorical question:
"Was ever woman in this humor won?"
Scene iii: The scene now shifts to the royal palace in London. Queen
Elizabeth speaks with her relatives and expresses the fear that when the
current monarch (Edward IV) dies, Richard of Gloucester will be named
protector over his two sons, providing the uncle with a means to take the
throne himself. She knows that this will also bode ill for her entire
family, including her brother (the Lord Rivers) and her own sons (the Lords
Dorset and Grey). One of the villain Richard's allies, Buckingham appears,
and then Richard himself enters. Richard professes his innocence on all
counts and argues with the old Queen Elizabeth. Accompanied by Hastings,
Richard blames the Queen and her family for Hastings false imprisonment.
Queen Margaret, the wife of the deceased Henry VI enters, and she too
expresses her hatred toward Richard, warning Buckingham against him. When
all of these characters except Richard himself depart, the villain reveals
his plans to have Clarence killed in the Tower by two murderers. When they
arrive, Richard tells the felons not to listen to Clarence's pleas for
mercy.
Scene iv: The scene shifts to Clarence's prison cell within the Tower
of London. Clarence tells his jailer that he has had horrible dreams that
seem to say that his real enemy is not the Queen, but his own brother,
Richard of Gloucester. Richard's two henchmen appear. Against Richard's
instructions, they speak with Clarence and disclose that Richard, in fact,
hates Clarence. He implores them to relent. One of the murderers feels pangs
of conscience, but the other says that to relent now would be "cowardly and
womanish." He then stabs Clarence to death. |
| Act 2 Scene i: The action
shifts back to the royal palace where we see a gravely-ill King Edward IV
anticipating his own death and trying to resolve the rancor that still
divides his court into vengeful camps. Richard then arrives and reports that
Clarence has been executed. Edward is deeply disturbed by this report, for
he reversed his own punishment decree of his brother. The dying king
expresses remorse at this sad turn of events as Richard feigns complete
innocence.
Scene ii: In another room of the palace, the two young sons of the
murdered Clarence and their grandmother (the old Duchess of York, Richard's
own mother) are on stage. She denies that Clarence is dead, but one of the
boys says that his father has been killed at the order of King Richard and
that he knows this because his good uncle, Richard of Gloucester told him
so. She curses her son Richard, but the boys refuse to believe that he is
behind their father's death. Queen Elizabeth arrives with word that her
ailing husband, King Edward, has died. The villain Richard then appears
accompanied by Buckingham and several other members of his party, including
the nobles Hastings, Stanley, and Ratcliffe. Plans are made to bring one of
the dead king's two young sons, the Prince of Wales, to London for
coronation as the new monarch. When everyone leaves except for Richard and
Buckingham, the two speak of their ultimate plan to make Richard himself
England's next king.
Scene iii: An example of a common Shakespearean device, the scene
consists of three citizens speaking about the turbulent events that have
already taken place and the dangers that lie ahead for England. They do not
want to be ruled by a boy (the Prince of Wales) and they fear the Richard,
Duke of Gloucester who is "full of danger." The prospect of still more civil
wars lies ahead.
Scene iv: Back at the palace, the widowed queen, the Duchess of York
and the younger brother of the Prince of Wales (also a boy) speak of the
impending arrival of the Prince of Wales for his coronation as successor to
Edward IV's throne. Word arrives that Richard of Gloucester has had several
of their family members and political allies jailed. Hearing this, the Queen
says that she will flee London with her younger boy, rightfully fearing
Richard's plans to put them out of the way.
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| Act 3 Scene i:
On a street in London, the young Prince of Wales arrives and meets with his
uncle, Richard and his confederate Buckingham. Richard tells the young
prince that he and his younger brother are to be housed in the Tower of
London until the ceremony takes place. The young Prince of Wales says that
he does not like the Tower, and in an exchange with his uncle Richard, the
youth shows himself to be wise beyond his years and we sense that he sees
through Richard's false, tender front. The Prince's younger brother arrives
and the two are sent to the Tower to repose. When the other characters exit,
Richard conspires with Buckingham. He says that he has sent the noble
Catesby to sound out Lord Hastings about whether he would support Richard's
plans to become king. If Hastings refuses to support this plot, then Richard
will have him executed. Richard also tells Buckingham that his loyal service
will be rewarded with an earldom once he becomes king.
Scene ii: At the home of Lord Hastings, a messenger arrives from Lord
Stanley who says that a plot is afoot, that two councils of state will be
held, and that Hastings should flee with him at once. Hastings tells
Stanley's messenger that he does not fear the divided council. Just then,
Catesby arrives and reveals Richard's plan to become King of England.
Hastings refuses to join Richard's side, affirming his support for the
Prince of Wales, and thereby inadvertently seals his own doom.
Scene iii: At the execution grounds of Pomfret Castle, several of
Richard's political opponents (the nobles Rivers, Grey and Vaughn) are seen
in chains and bound for execution. They curse Richard and the fate that has
befallen them.
Scene iv: At the Tower of London, a council of state is in session,
with Buckingham and several of Richard's other minions in attendance,
including the defiant Hastings. Richard leaves for a moment, and then
returns in a furor, claiming that he is under a spell of black magic cast by
Edward's widow, Queen Elizabeth. When Hastings defends her honor, Richard
calls him a traitor and commands that Hastings's head be cut off. The victim
now realizes what Richard has had in mind all the time, and he predicts that
Richard and his ilk will soon be in the grave alongside him.
Scene v: In front of the Tower walls, Richard and Buckingham tell the
Mayor of London that Hastings is a traitor and is about to be executed
without trial. The Mayor believes their false stories about Hastings and
says that he will report Hastings's execution to the people as being justly
caused. When the Mayor leaves, Richard instructs Buckingham to raise
questions about the legitimacy of Edward's two sons. This, in turn, will
provide a pretext for the Protector of the Prince of Wales, Richard himself,
to replace the boy as England's king.
Scene vi: In another common Shakespearean device, a scrivener ( or
herald) reads an indictment of Hastings to the citizens of London that
speaks of the (already executed) nobleman as a traitor who deserves death.
Scene vii: At his home (or lair) in London's Baynard's Castle,
Richard is told by Buckingham that the Mayor of London has been persuaded to
speak to the people on behalf of making him King of England, bypassing the
illegitimate Prince of Wales. But the Mayor's words have fallen on deaf
ears, for the citizens are dumbstruck by this proposal and refuse to join in
on the cry of "Long live Richard, King of England." Richard must appear
before the people himself and pretend to be a reluctant candidate for the
throne. Led by the Mayor, a crowd of citizens appears. Buckingham addresses
them as Richard stands between two clergymen. Buckingham puts forth a full
spiel to the people of London: he says that the Prince of Wales (and his
younger brother) are bastards and the Richard of Gloucester is the rightful
successor to his brother Edward. Richard feigns a reluctance to become king,
crown, but then returns and announces that he will take the crown for
England's sake, naming tomorrow as his coronation day. |
| Act IV Scene i:
Before the Tower of London, with widowed Queen Elizabeth and the Duchess of
York speak with Lady Anne (who has, in fact, become the villain Richard's
wife). The mother and grandmother of the two boy princes are told that
Richard will not permit them to visit the young royals. Lord Stanley enters
with word that Richard of Gloucester is now King Richard III. He assists the
Queen and the Duchess to make plans for escape. Lady Anne realizes that
Richard is a villain but she must be crowned as his new queen.
Scene ii: At the royal palace, King Richard III speaks with
Buckingham and tells him that he wants the two princes dead. Buckingham,
however, is not completely willing to go along with their execution. Richard
summons a discontented gentleman, Tyrell, to murder the two young princes.
He also orders that a rumor be started that his wife, Lady Anne, is deathly
ill: in fact, he plans to do away with her as well and then marry the
daughter of Queen Elizabeth, cementing the legitimacy of his own reign.
Buckingham appears and claims his reward of an earldom. Richard refuses,
telling his erstwhile ally that he is not in a giving vein today.
Scene iii: Some time thereafter and still at the palace, Tyrell tells
Richard III that "the tyrannous and bloody act is done," the two princes
have been smothered to death. In a very complex part of his plot, Richard
schemes on killing the Earl of Richmond, who is a suitor to the daughter of
Queen Elizabeth. News then comes that Richmond is assembling a force to
depose Richard and that he has been joined by Buckingham in this cause.
Scene iv: Continuing at the palace, another set of complications
arises, as news of the young princes' murder reaches their mother and
grandmother. Richard III then appears and is denounced by his own mother,
the old Duchess of York. But he presses on with his plans and proposes to
the widowed Queen Elizabeth that he wed her daughter, arguing that this will
allow her future grandsons to become kings after Richard's reign is over.
She berates him but she also plays along with his proposal. Word comes that
Richmond is on the seas with an invasion force and that Buckingham is in the
field with an army intent upon ridding England of its murdering, tyrant
king. Fearing that Lord Stanley will go over to the other side, Richard
orders Stanley's son to be taken into custody: should Stanley betray him,
Richard will order young George Stanley's execution. More messages arrive
from the front: Richmond's invasion force has been scattered by a storm;
Buckingham has been captured. Richard is elated by these events and plans to
lead his own army against the remaining rebels.
Scene v: At the home of Lord Stanley, the nobleman speaks with one of
Richmond's representatives, asking that he tell Richmond that he will take
the field on Richard's side only because of the threat that Richard has made
toward the life of his young son. |
| Act V Scene i:
At an open place near Salisbury, the captured Buckingham is led away to
execution, ruing his involvement with Richard and the assassination of Henry
VI.
Scene ii: At a camp on the English coast, Richmond relishes the
prospect of relieving England of Richard's yoke of tyranny and accepts the
message that Stanley is only on Richard's side because of the coercive
threat to his son.
Scene iii: On Bosworth Field (where the remainder of the play
unfolds), Richard and his remaining loyal allies appear in a tent on one
side of the stage, while Richmond and his rebels are seen in a tent on the
other side of the stage. Lord Stanley enters and goes to Richmond's tent,
promising that he will try to sabotage Richard's battle plans by delaying
the arrival of forces under his command. Between the two tents a succession
of ghosts appears---Henry VI, Clarence, Rivers, Grey, Vaughn, the murdered
princes, Hastings, Lady Anne and Buckingham---each of whom accuses the
sleeping Richard of the foul deeds committed against them and curses his
cause and then blesses the sleeping Richmond. Richard awakes and
acknowledges his guilt; Richmond awakes ready for the battle at hand.
Richmond addresses his troops, appealing to their patriotism; Richard speaks
to his men, disparaging the enemy as lowly scum. Word arrives that Lord
Stanley refuses to march into battle; Richard orders the execution of
Stanley's son, but delays action until the battle of Bosworth Field has been
won.
Scene iv: On the battlefield, we learn that Richard has fought like a
man possessed seeking out Richmond on foot because his own horse has been
slain. Richard appears, crying out "A horse, a horse! My kingdom for a
horse!"
Scene v: In the plays final scene, Richard and Richmond come together
in hand-to-hand combat and Richard is slain. Stanley arrives and learns that
no harm has come to his son. The crown of England is offered to Richmond.
He, in turn, says that he will now marry the daughter of Queen Elizabeth,
uniting the families of York and Lancaster, and thereby bringing England's
protracted civil wars to an end. |