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Margaret Atwood: The Handmaid's
Tale (1986) Reviews
Context (Spark
Notes) |
Amazon Review: A Great Read, January
22, 2001, Reviewer: Morgan Porzsolt from Stockbridge, MI USA
The
Handmaid's Tale is the story of Offred, one of the few fertile women
left in the Republic of Gilead, a dystopia at its worst. Toxic waste
has left population levels dangerously low and religious leaders have
taken control of the country, using desperate measures to repopulate
the Earth. Offred is one of the many "handmaids" who are forced to
live with a commander and tries to conceive a child with him once a
month. The book chronicles Offred's life as she is living with
Commander Fred (hence "Of Fred"). Atwood wrote this novel at a time
when there was the possibility of religious leaders establishing a
theocracy. She portrays the havoc that can come about when a democracy
loses its control over the people. Atwood does this extremely
effectively. Since the whole book is through Offred's eyes, the
one-person limited view point makes you use your imagination to fill
in the gaps left by her lack of knowledge. The book isn't so extreme
that it's unbelievable and is so descriptively written that it almost
feels as if it the events already happened in history. It was truly a
great read.
Amazon Price
In Gilead, a Christian fundamentalist dystopia, fertile
lower-class women serve as birthmothers for the upper class. Funny,
unexpected, horrifying, and altogether convincing, “The Handmaid's
Tale is at once scathing satire, dire warning, and tour de force. “
(Dalton High School Library)
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Plot Overview
(Spark Notes) |
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Anti-Utopian Genre
Features
Themes
(Spark Notes) |
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utopian
setting: different space/ different time
Motifs (Spark
Notes) Symbols
(Spark Notes) |
Character constellation:
oppressors versus oppressed
Character Analysis
(Spark Notes) |
| basis of utopian scenarios:
political , economic, environmental, space, cultural, ideological |
the
representatives of a totalitarian society: tyrant, "Big Brother",
functionaries, loyal members of society, conformists |
victims,
non-conformists, rebels, those living at the fringe |
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the transition
from the society we know (SR) to the utopian society (SU):
a) revolution:
rebellion, war
b) evolution:
peaceful process |
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Anti-utopian context: (source:
brothersjudd.com)
Many of the great dystopic novels of this Century--George
Orwell's 1984 (review)
and Animal Farm (review),
A Clockwork Orange by Anthony Burgess (review),
Ray Bradbury's Fahrenheit 451 (review),
Ayn Rand's Anthem (review)--are
still as timely and pertinent today as they were on the day they were
written. Their endurance is a result of the eternal and universal theme
that each of them addresses: the fundamental human conflict between the
desire for security and the aspiration for freedom. On the other hand,
Margaret Atwood's feminist take on dystopia, while still an interesting
and entertaining read, now feels dated and parochial. It is essentially
just an expression of liberal fear of Ronald Reagan in the early
1980's; its concerns are too limited, temporary and, ultimately,
misguided. read more
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| Motto:
Nolite te bastardes carborundorum. -
Don't let the bastards grind you down. |
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Religious
Associations
Motifs /
Symbols (Spark
Notes) |
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Num 32:29 And Moses said unto
them, If the children of Gad and the children of Reuben will pass with
you over Jordan, every man armed to battle, before the LORD, and the
land shall be subdued before you; then ye shall give them the land of
Gilead for a possession: |
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Jer 8:22 [Is there] no balm in
Gilead; [is there] no physician there? why then is not the health
of the daughter of my people recovered? |
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Setting (excerpt from
Spark Notes)
Cambridge, Massachusetts
[see map below] - the center of Gilead's power, where Offred lives,
is never explicitly identified, but a number of clues mark it as the
town of Cambridge. Cambridge, its neighboring city of Boston,
and Massachusetts as a whole were centers for America's first
religious and intolerant society—the Puritan New England of
the seventeenth century. Atwood reminds us of this history with the
ancient Puritan church that Offred and Ofglen visit early in the
novel [chapter 6], which Gilead has turned into a museum. The choice
of Cambridge as a setting symbolizes the direct link between the
Puritans and their spiritual heirs in Gilead. Both groups
dealt harshly with religious, sexual, or political
deviation.
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Harvard Yard, scene of mass
executions
Click for:
Harvard
Photos |
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Topical Reference |
Context:

This novel was produced in the aftermath of the Iranian
revolution of 1979, with its establishment of a fundamentalist
theocracy, and during Ronald Reagan's presidency of the United States,
which saw both an escalation of global tension (the doomsday clock moved
to within five minutes of midnight) and a rise of the religious right.
The 1980s were in many ways a backlash against the rise of social
liberalism, particularly in the 1960s and 1970s, particularly against
feminism, multiculturalism, and freedom of expression. However, Atwood
is also concerned more generally with patterns of totalitarianism and
theocracy as they have manifested themselves in various periods in
history (her most obvious analogies are to the rise of Nazism in Germany
which preceded and precipitated the Second World War, and to the social
organization of the New England Puritans in 17th century America.
Elements of the South African system of apartheid in place till the
1990s might also be identified). credit and more:
Gisèle Baxter,
University of British Columbia |
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PBS documentation: God and Country - What is the role of
religion in politics, government and American life? |
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Republicans Say
Judicial Nominee Is Victim of Religious Bias
Oct 31, 2003,
CNSNews.com
In the case of Pryor, a Catholic,
his views on abortion and homosexuality have alarmed liberal interest
groups. Senate Democrats successfully blocked his nomination to the 11th
U.S. Circuit Court of Appeals in July, and Republicans haven't brought
him up for a vote since then. |
Religious Wrong
(NPR, On the Media,Nov 7, 2003)
As President Bush bounced through East Asia this week,
the international media was abuzz with reactions to Malaysian Prime
Minister's assertion that Jews rule the world by proxy. But across the
Arab world, a parallel scandal was roiling editorial pages, as
journalists chewed over revelations that U.S. Army Lieutenant General
William Boykin saw the War on Terror as a clash between Christians and
Satan. UPI Chief Correspondent Martin Walker gives Bob a glimpse from
the world press.
Listen
Transcript |
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Kate Michelman President, NARAL Pro-Choice America
Remarks at the National Press Club 12 Jan 2004 (extract)
“Protecting the Right To Choose”
The fetus had no hope of survival—and
the pregnancy threatened Coreen’s life and fertility. Reluctantly,
Coreen decided to terminate the pregnancy. Because of the fetus’
position, the safest option was a procedure called an “intact dilation
and extraction.”
By any decent moral calculus, Coreen
deserves our compassion. According to the anti-choice leadership of
Congress, she merits contempt. And according to President Bush, the
doctor who provided medical care to Coreen during her time of crisis
belongs locked up in federal prison for a term up to two years.
That’s
because the procedure he performed is one of those criminalized by the
ban on so-called “partial-birth
abortion.”
more ... |
Extract from Handmaid's Tale, Chapter 6:
The men wear white coats, like those worn by doctors
or scientists. Doctors and scientists aren't the only ones, there are
others, but they must have had a run on them this morning. Each has a
placard hung around his neck to show why he has been executed: a drawing
of a human fetus. They were doctors, then, in the time before,
when such things were legal. Angel makers, they used to call
them; or was that something else? They've been turned up now by the
searches through hospital records, or - more likely, since most
hospitals destroyed such records once it became clear what was going to
happen by informants: ex nurses perhaps, or a pair of them, since
evidence from a single woman is no longer admissible; or another doctor,
hoping to save his own skin; or someone already accused, lashing out at
an enemy, or at random, in some desperate bid for safety. Though
informants are not always pardoned. |
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Colonial era
preacher, midwife and mother of 16, Anne Hutchinson just didn't seem to
know a woman's place. She was called an "American Jezebel" for publicly
teaching and interpreting scripture. A century and a half before the
American Constitution erected a barrier between church and state, Anne
Hutchinson defended herself against judges who proclaimed God was on
their side. Banished from Massachusetts, Hutchinson helped establish
religious tolerance in the new colony of Rhode Island.
NPR's The Connection 19 Mar 2004 |
a) The church is a small one, one of the first erected
here, hundreds of years ago. It isn't used anymore, except as a museum.
Inside it you can see paintings, of women in long somber dresses,
their hair covered by white caps, and of upright men, darkly clothed and
unsmiling. Our ancestors. Admission is free. (chap 6)
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I'd like to tell a story about how Moira escaped, for
good this time. Or if I couldn't tell that, I'd like to say she blew up
Jezebel's, with fifty Commanders inside it. I'd like her to end
with something daring and spectacular, some outrage, something that
would befit her. But as far as I know that didn't happen. I don't know
how she ended, or even if she did, because I never saw her again. (chap
31) |
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Paradigm
Samples |
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Robert
Duvall and Faye Dunaway

Starring:
Natasha Richardson, Faye Dunaway, Aidan Quinn, Elizabeth McGovern,
and Robert Duvall
Screenplay by Harold Pinter not published
Set in a time when a build up of toxic chemicals has made most
people sterile, Volker Schlondorff's film offers a disturbing view
of a society under martial law in which fertile women are captured
and made into handmaids to bear children for rich and infertile
matrons. The film unfolds from the eyes of newly converted handmaid
Kate (Natasha Richardson). She is trapped in this mysogynistic
society which both deifies these fertile women as prized possessions
and condemns them as whores. Throughout the story Kate has to cope
with the jealousy of the woman she serves (Faye Dunaway), the
advances of her sleazy military husband (the Commander, played by
Robert Duvall), and the loss of her daughter, who has been shuttled
off to a similarly aristocratic setting. She also falls in love with
one of the Commander's security guards (Aidan Quinn), who
sympathizes with her plight and potentially offers her a way out.
Natasha Richardson Throughout The Handmaid's Tale, issues of
feminism, abortion rights, male dominance, and conservative
religious politics all come under fire. Some may view the film
itself as anti-female considering its concepts, but it is quite the
opposite. Instead it shows how only through solidarity can women
bring down an overriding patriarchal mindset. The film, which works
from Harold Pinter's screenplay adaptation of Margaret Atwood's
novel, features strong performances from those mentioned as well as
Elizabeth McGovern and Victoria Tennant.
Source:
HaroldPinter.org |
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The Minnesota
Opera |
Based on the best-selling novel by
Margaret Atwood, the opera is a visionary tale that postulates the
dangerous consequences of religious intolerance in America. Atwood
conceived her book in the early 80s, at a time when the Moral
Majority was achieving political power, when the feminist movement
was regrouping in the shadow of a failed Equal Rights Amendment, and
just after revolution in Iran established a new theocracy under the
Ayatollah Khomeini. After 18 years, her remarkable conception still
has its distinctive chill, given the rise and fall of the Taliban's
control of Afghanistan and continued strife in the Middle East. The
novel continues to bear a striking message, even today.
Source and more ...... |
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